When Grenfell windows exploded into miniature supernovas and firefighters froze in that world they will replay over and over, I shall always remember the autopsy of a well-meant poem by a bloke called Si who doesn’t write much and will never write again because a real poet told him at best it was doggerel. As the new world emerges unseen by the real poet who dissected Si’s well-meant poem I read a technically perfect poem about absolutely nothing from the real poet who had so much to say and so little to write. Sometimes when I want to find answers to the hardships of modern life perhaps I’ll ring Si and say “Hey Si, I’ve a Haynes manual on the inner workings of a Ford Fiesta and it’s written perfectly so why not come over and we’ll discuss over hummus I bought from a hipster at a literary festival which is a place real poets unlike you go to, so, Si my pixelated pal do you wanna come round mine mate”? Alternatively I could pass on the technically perfect writings about non-subjects and read a really well intentioned and flawed poem by Si who knows he ain’t the best poet but he wanted to challenge himself on writing about something more important than the existential paradox of a thespian who lived in a disputed vineyard during the Napoleonic invasion of a place that people like Kev has never heard of because he’s only interested in stuff that is happening today. I have decided to write a poem for Si in the spirit of what he was saying but not in iambic pentameter just raw emotion in controlled couplets and it goes something like this….
I read a technically perfect poem about absolutely nothing
I felt a technically flawed poem about something important
The latter poem was poorly written it was not a poem like this
I’d like to go and get wasted with Kev and make alphabet spaghetti.