It looks as if a fog has whirled around the hedges,
wrapping them in a swirl of candy floss like a fleece
protecting them from frost. The implication is the hedges
will be unwrapped to show a healthy growth, firm stems,
perfectly green leaves, branches stretched in welcome.
The covering takes on the texture of a regular weave,
as if a team of spiders had worked solidly for months,
but the structure is too crude to be natural, too regular
to constructed by anything but a programmed machine.
It reflects a grid of lines running from left to right
with rectangular holes. If laid flat, it would represent
a map of a housing estate, plans made by those seeking
to enrich themselves on the grounds councils cannot
demonstrate they have an adequate housing supply,
that somehow executive, four bedroom homes,
beyond the pockets of those on waiting lists, will meet
and that it’s fine to build in the country out of reach
of public transport and amenities but it’s just these
birds who will prevent building during the nesting
season that are the problem. So man-made webs
are their suggested solution; mimic nature to prevent it.
Emma Lee’s recent collection is “Ghosts in the Desert” (IDP, UK 2015). “The Significance of a Dress” is forthcoming from Arachne (UK). She co-edited “Over Land, Over Sea,” (Five Leaves, UK, 2015), reviews for The Blue Nib, High Window Journal, The Journal, London Grip, Sabotage Reviews and blogs at http://emmalee1.wordpress.com.